I was making this film The Last King of Scotland in Uganda six or seven years ago or something, and I went into the slum of Kampala and I realized there were so many people there listening to Bob, wearing Bob T-shirts, with murals of Bob up. And they treated him more like a kind of spiritual figure or a philosopher than merely a musician. And I realized that’s kind of a unique position. Nobody else in popular music has had that position. He is without parallel.